The Year of Miley Cyrus + the Unveiling of Bangerz The track list indicates nothing from Four Seasons of Love, but the album’s most memorable cut, “ Spring Affair ,” has been the subject of many edits over the years, with Dimitri From Paris’ being my personal pick. Several other mixes from the release have been trickling onto the web the past few weeks, all sounding very respectable of their source. His impressive reworking of his 1975 classic “ Love to Love You Baby” can be heard here now. 22 on Verve) featuring edits from Hot Chip, Frankie Knuckles, and Moroder himself. A promising remix album is coming out at the end of the month ( Love to Love You Donna, Oct. If one positive can come from her death, it’s the revival her discography has seen since her passing, magnified by the slight resurgence and interest in the genre. It’s all a delight, and at just over half an hour, a definite must-listen for anyone into the genre, albums that encapsulate certain eras and trends, or masterclass production. It’s a brief genre piece: Four songs chronicling the three main seasons, with a spring reprise. Since we’ve officially shifted to fall, I couldn’t help but revisit her 1976 concept album Four Seasons of Love, another Giorgio Moroder production, released eight months before I Remember Yesterday (“I Feel Love”). After digesting the complete 20/20 Experience I’m still having a hard time forming a concrete opinion beyond an indecisive: Yes, it can get over-indulgent and tedious yes there are moments that are amazing and amongst the best of the year’s pop and no-Timbaland is not dead.ĭonna Summer General musings & listening sessionsĪs a huge cheerleader of all things Disco, particularly in its prime, I doubt I’ll ever get over the loss of its most recognizable star. Roll your eyes at the title if you must, but his delivery here is something to get giddy over as he talks about wanting to go to “your jungle,” and that he’s not really the boy mom would like ( Oooh, get to know him). This was going to be dual moment with the second track, “True Blood,” but it can be hard justifying a nine minute track length – another area “GWIDK” succeeds: At just over five minutes, it allows the production room to breathe without overstaying its welcome (a rarity from Timberlake/land this year).
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Part two’s album opener sounds like the long lost b-side to “ FutureSex/Love Sounds” (the song) – in other words: exactly what I wanted all of the 20/20 Experience to sound like, and arguably my personal pick off either album ( “ Pusher Love Girl,” Part I’s opener, would be next). “ Gimme What I Don’t Know (I Want)” / Justin Timberlake ( 20/20 Experience Part II)